Meditation, Focus, and Image-making - by Doc Nolan
One of the best things about focused drawing and photography is not the product (the image) but the process of doing craftsmanlike work. It’s like this: Hundreds of images cross your eyes and, therefore, your mind. They have no impact. And then you see something and think, “I want to capture that, but not quite as my eyes are showing it to me.” It might be a real-life stone or bridge you see while taking a walk, or perhaps a virtual rock or a virtual span in Alternate Metaverse – it doesn’t matter. What matters is stopping and looking at it because it demands attention. The next step is capturing what you see with a camera or pencil marks on paper. You become absorbed in focus, composition, and lighting with the camera. You have the additional form (shape) and contrast challenges with a pencil. And you swiftly begin to think, “Close, but not quite right. What is missing?” Note the mental process: absorption.
The next step is taking a chance and clicking a shot or putting a pencil
to paper, knowing in advance that this first image will (let’s be blunt)
suck. And then, a follow-on process
begins. “This is crap. Let’s adjust.
This doesn’t seem right. Why?” With a camera, you change settings, move the
camera around, and zoom in or out. With
a pencil, you erase and redo markings over and over. Sometimes you put your work to one side,
exhausted. More often, you stubbornly
fight and try to fix the image. (And
then take a recess, exhausted! Ha,
ha). You know that the final product you
create will have two characteristics: (1) it will be better than all the
unsuccessful efforts that got you that far, and (2) it will be imperfect. You know this before you start. You don’t care.
And don’t let your camera fool you.
Take four photos of the same face a day apart and compare them. If you look closely, they’re different. Yes, the images are not identical but look
harder, and you’ll realize the face is dissimilar, too. Which is ‘the true face’? They all are.
Change is part of life’s flux; you’re aware of that through static
representations! (The changing light
drives outdoor oil painters nuts!) You see how a face changes by focusing and
paying attention (yes, by disciplined meditation).
And now the final (not the initial!) step: imposing your will on images
after you have seen objects as they truly appear. In photography, this image manipulation is
called “post-production.” In drawing,
it’s called “messing around and being imaginative.” But if you jump right to imposing your will
without the meditative process, what happens?
You draw stickmen, and you shoot ‘grip-and-grin’ caricature
snapshots. You haven’t rendered reality at
the high level your mind is capable of.
You’ve created the image equivalent of fast food. Grabbing a burger is not the same as fine
dining. Lazy image-making gives a
predictable result: crap that no one wants to see. Well, almost no one.\
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